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   <title>TrinityP3 Blog</title>
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   <id>tag:www.trinityp3.com,2010:/blog//23</id>
   <updated>2010-09-02T20:35:05Z</updated>
   <subtitle>Advice on achieving maximum value from your advertising budget.</subtitle>
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<entry>
   <title>Seriously workshopping the value of creativity in marketing</title>
   <link rel="alternate" type="text/html" href="http://www.trinityp3.com/blog/2010/09/seriously-workshopping-the-val.php" />
   <id>tag:www.trinityp3.com,2010:/blog//23.2588</id>
   
   <published>2010-09-02T20:23:42Z</published>
   <updated>2010-09-02T20:35:05Z</updated>
   
   <summary>Much is discussed about the importance of &apos;creativity&apos; by both advertisers and their agencies. Many creative awards focus on recognising and rewarding creativity in various categories, disciplines, media and channels. But with so much attention and focus on the importance...</summary>
   <author>
      <name>Darren Woolley</name>
      
   </author>
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      <![CDATA[Much is discussed about the importance of 'creativity' by both advertisers and their agencies. Many creative awards focus on recognising and rewarding creativity in various categories, disciplines, media and channels. But with so much attention and focus on the importance of creativity, how does the industry value this precious commodity?

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You are invited to come along and participate in a serious discussion about how creativity is valued? Or not? And more importantly how we can value creativity in new and more equitable ways at <a href="http://www.spikes.asia/">Spikes Asia 2010.</a>

Spikes Asia 2010 runs from 19 to 21 September at Suntec in Singapore. <a href="http://www.spikes.asia/delegates/">You can register here to attend.</a>

The Workshop - Is creativity valued? is on <a href="http://www.spikes.asia/whatson/full_schedule.cfm">Tuesday September 21 at 2 pm.</a>

The workshop synopsis:]]>
      Much is discussed about the importance of &apos;creativity&apos; by both advertisers and their agencies. Many creative awards focus on recognising and rewarding creativity in various categories, disciplines, media and channels. But with so much attention and focus on the importance of creativity, how does the industry value this precious commodity?

Through groups discussions and break-out groups, participants will challenge and create a set of principles for agency remuneration that recognises creativity as the source of business value.
 
In this workshop participants will review the way creativity is currently remunerated in the various marketing communications disciplines and look at how is creativity valued? How is the value calculated? 

In break-out groups, participants will explore what are the positive and negative effects these approaches have on the quality and delivery of creativity? And make recommendations on best practices.
 
Participants will also explore the application of creativity in other commercial disciplines such as music, literature, art and motion pictures. 

In break-out groups participants will discuss how is creativity valued? How is creative value calculated in different disciplines and categories? And groups will report back and discuss what are the insights and opportunities that can be applied to the way we remunerate creativity within marketing and advertising?
 
The role of this workshop is for participants to examine and question the current methods for compensating agencies for their creativity with the view to collectively creating a new remuneration model with the value of creativity at its core. At the very least it will challenge the current business models used to remunerate agencies.
 
It is a workshop for anyone interested in participating in developing and defining the long term sustainability of the industry and puts the role of creativity back at the core of the business model

   </content>
</entry>
<entry>
   <title>How to integrate your digital strategy into your overall brand strategy</title>
   <link rel="alternate" type="text/html" href="http://www.trinityp3.com/blog/2010/08/how-to-integrate-your-digital.php" />
   <id>tag:www.trinityp3.com,2010:/blog//23.2587</id>
   
   <published>2010-08-25T22:19:50Z</published>
   <updated>2010-08-26T02:06:02Z</updated>
   
   <summary>Thanks to our Senior Digital Consultant, Russell Easther, I saw this video this morning from Isobar which is the best and simplest overall explanation of how to integrate your digital media strategy into your brand communications strategy. Bigger than the...</summary>
   <author>
      <name>Darren Woolley</name>
      
   </author>
         <category term="digital marketing" scheme="http://www.sixapart.com/ns/types#category" />
   
   <category term="398" label="Advertising" scheme="http://www.sixapart.com/ns/types#tag" />
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      <![CDATA[Thanks to our Senior Digital Consultant, <a href="http://www.trinityp3.com/peopleaustralia/russell_easther.php">Russell Easther</a>, I saw this video this morning from <a href="http://www.isobar.com/">Isobar</a> which is the best and simplest overall explanation of how to integrate your digital media strategy into your brand communications strategy.

<object width="400" height="225"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=12463792&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=1&amp;color=&amp;fullscreen=1&amp;autoplay=0&amp;loop=0" /><embed src="http://vimeo.com/moogaloop.swf?clip_id=12463792&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=1&amp;color=&amp;fullscreen=1&amp;autoplay=0&amp;loop=0" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="400" height="225"></embed></object><p><a href="http://vimeo.com/12463792">Bigger than the Big Idea</a> from <a href="http://vimeo.com/isobar">Isobar North America</a> on <a href="http://vimeo.com">Vimeo</a>.</p>

Just brilliant.

The real insight in regards to agency structure and remuneration is the clear move from 360 degree communications campaigns to 365 day a year communications.

How would your agency and marketing structure look if you truly embraced this?

How well is your digital strategy - SEO, SEM, social media, mobile, is integrated?]]>
      
   </content>
</entry>
<entry>
   <title>FREE - Nothing gets you nothing with agency compensation</title>
   <link rel="alternate" type="text/html" href="http://www.trinityp3.com/blog/2010/08/nothing-gets-you-nothing-with.php" />
   <id>tag:www.trinityp3.com,2010:/blog//23.2586</id>
   
   <published>2010-08-06T22:26:43Z</published>
   <updated>2010-08-09T04:09:04Z</updated>
   
   <summary>In the past year or so I have noticed agencies putting forward remuneration proposals that provide senior agency resources at significantly discounted prices - FREE! It is seen as a discount. But experience shows that often the resources you don&apos;t...</summary>
   <author>
      <name>Darren Woolley</name>
      
   </author>
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      <![CDATA[In the past year or so I have noticed agencies putting forward remuneration proposals that provide senior agency resources at significantly discounted prices - FREE!

It is seen as a discount. But experience shows that often the resources you don't pay for, you don't get.

Very recently an agency proposed 15% of a Managing Director (<a href="http://www.trinityp3.com/blog/2010/04/should-the-agency-ceo-managing.php">Yes, the MD should be in the retainer</a>) and 30% of the Head of Strategy at no cost. 

FREE!

<img alt="Pay_nothing_get_nothing.jpg" src="http://www.trinityp3.com/blog/Pay_nothing_get_nothing.jpg" width="426" height="282" />

Now as <a href="http://danariely.com/">Professor Dan Ariely</a> points out, <a href="http://www.youtube.com/watch?v=WS1bwMdgmKc">getting something for nothing is a powerful offer. </a>

But how was the marketer going to make sure they get the benefit of this offer?]]>
      <![CDATA[Lets looks at the agency offering more more details:

<strong>1. The total cost of the proposal was just under $2 million per annum.

2. The discount / bonus was valued at about 10% of the total proposal

3. The client represented about 8% of the agencies annual remuneration.</strong>

So here are the issues:

<strong>1.</strong> The value offered free is less than 10% of the total cost. Yet, if delivered this would reduce the projected profitability by 75% and at best 50%. If they lose profit here they will need to make it up elsewhere.

<strong>2.</strong> The level of MD resources is almost double the size of the account in the agency, so what is happening with his other clients, especially the larger or more profitable clients?

<strong>3.</strong> From personal knowledge, the Head of Strategy was already committed by almost 120% on other client agreements so the <a href="http://www.trinityp3.com/calculators.php">extra 30% means he would need to work solid 48 hour weeks with no holidays, public holidays, sick days or any non-billable work.</a>

What to do?

<strong>1. Always</strong> get the agency to value the resource and then add this as a discount to the overall remuneration. That way when you feel you are not getting the resources you can feel that you can complain because you are paying for it.

<strong>2. Work out and agree</strong> with the agency how these "free" resources will be delivered. Is it weekly / fortnightly meetings or quarterly / half yearly reviews or specific projects.

<strong>3. Make sure everything is committed</strong> in writing within the contract, including discounts, agreed use, etc as invariably when the annual or contract review comes up this will become the first point of contention because either the resources were not provided or the agency will feel the deal is not sustainable in the current form.
]]>
   </content>
</entry>
<entry>
   <title>The social and financial considerations of agency remuneration</title>
   <link rel="alternate" type="text/html" href="http://www.trinityp3.com/blog/2010/08/the-social-and-financial-consi.php" />
   <id>tag:www.trinityp3.com,2010:/blog//23.2585</id>
   
   <published>2010-08-02T10:55:34Z</published>
   <updated>2010-08-02T11:25:22Z</updated>
   
   <summary>Watching Mad Men reminds me of the wonderful life of advertising before the demise of media commissions and service fees. A time where the agency was full of people with the time to go to long lunches, indulge in intra-office...</summary>
   <author>
      <name>Darren Woolley</name>
      
   </author>
         <category term="remuneration / compensation" scheme="http://www.sixapart.com/ns/types#category" />
   
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   <content type="html" xml:lang="en" xml:base="http://www.trinityp3.com/blog/">
      <![CDATA[Watching <a href="http://www.amctv.com/originals/madmen/">Mad Men</a> reminds me of the wonderful life of advertising before the demise of media commissions and service fees. A time where the agency was full of people with the time to go to long lunches, indulge in intra-office affairs and where meetings were filled with ten or more agency staff without the client worrying about the impact on their retainer costs.

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It was a time where the relationship between agencies and advertisers were more like partnerships, partners in creating advertising, because the only time money was ever discussed was at the time of appointment, and then just to accept the “industry standard” or when the client was approving the production cost of the next big television campaign.

Well Toto, we are not in Kansas anymore. Apart from a few die-hards, the media commission for agencies is virtually dead and now the relationship, as <a href="http://danariely.com/the-books/">Professor Dan Ariely</a> would say, is now more <a href="http://www.youtube.com/watch?v=OdjlOgGVRVA">a financial market than the social market</a> of that past.

Unfortunately, many agencies are acting like the wish it was still the old model and have not embraced the commercial realities of the financially driven arrangement, often putting the social relationship ahead of commercial realities.]]>
      <![CDATA[In 2008 / 2009 when many advertisers were reducing their spend by 20% or more, agencies were still delivering the same amount of work for 20% less because they were investing in the relationship, believing that like in the old days that when the client’s spend came back so would the agency revenue. 

But instead we are seeing many advertisers now operating on the basis that if the agency can do the same amount of work for 20% less then when they get their budget back they want the same “value” now and expect getting 20% more than they got before.

On the flip-side, marketers still want their agency to behave like a partner, doing favours, moving budgets and costs around so that the client get their plans executed when “Blind Freddy” could tell that they were trying to do too much with too little.

This give and take built the relationship between the agency and the client. The agency became indispensible in smoothing the way through for the client, knowing that the agency would be more than rewarded with an increase in media spend with increasing revenue.

Too often we see the same thinking in agencies around the world, with a very different outcome. Because now, instead of media commissions, there are fixed retainers. So when the agency takes on those little extra tasks for the client, there is no increase in revenue for the agency, beyond perhaps what they can grab through the non-retained production costs.

What demonstrates the old way of thinking about remuneration is that the agencies will assume that if they take on more work for the client it will build the relationship and they will be compensated for the extra work. But the client sees the retainer as a fixed cost for all of the agency’s work. There is no more in the budget, so if the agency takes on that work they do so within the retainer.

Invariably we see the outcomes of this approach being <a href="http://www.trinityp3.com/strategic_alignment.php#3">the agency asking for the significant increase in the retainer and the client rejecting it.</a> In one case the agency had incurred almost half a million dollars in non-recovered extra head hours. 
This would never happen in a law firm or an accounting firm who take a more financial approach to their client relationships with six minute billing increments.

When we investigated the discrepancy, we found the agency had taken on much of the marketing department work, outside their remit. The agency happily asked to do the work, the marketers happily gave them the work, but no one had any intention of paying for the work.

So the clear message is, if you are an agency discussing remuneration with your client, define exactly what you are being paid for and if you do more don’t assume you will get paid. Because it is likely you wont. Unless you negotiate that up-front as well. 

Published in <a href="http://www.adnews.com.au/">AdNews</a> Friday August 30 2010]]>
   </content>
</entry>
<entry>
   <title>Thomas Cook the new Dr. Evil, demanding £1,000,000 success fee</title>
   <link rel="alternate" type="text/html" href="http://www.trinityp3.com/blog/2010/07/thomas-cook.php" />
   <id>tag:www.trinityp3.com,2010:/blog//23.2584</id>
   
   <published>2010-07-14T22:17:28Z</published>
   <updated>2010-07-18T22:53:26Z</updated>
   
   <summary>I just saw this story from Brand Republic - Thomas Cook in pitch fee row. It reminds me of Dr. Evil from Austin Powers, demanding his one million dollars! I spoke about this and the general concept of success fees...</summary>
   <author>
      <name>Darren Woolley</name>
      
   </author>
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   <category term="857" label="Agency Selection" scheme="http://www.sixapart.com/ns/types#tag" />
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   <content type="html" xml:lang="en" xml:base="http://www.trinityp3.com/blog/">
      <![CDATA[I just saw this story from <a href="http://www.brandrepublic.com/">Brand Republic</a> - <a href="http://www.brandrepublic.com/go/news/article/1014883/thomas-cook-pitch-fee-row/">Thomas Cook in pitch fee row.</a> 

It reminds me of <a href="http://en.wikipedia.org/wiki/Dr._Evil">Dr. Evil from Austin Powers,</a> demanding his <strong>one million dollars!</strong>

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I spoke about this and the general concept of success fees in pitches during the <a href="http://mumbrella.com.au/mumbrellacast-darren-woolleys-call-from-mick-gatto-pr-guarantees-old-spices-social-media-nirvana-29893">Mumbrella Podcast this week.</a>

This issue here is that the charging of success fees is false economy. Lets look at the economics of the <a href="http://www.facebook.com/pages/Thomas-Cook-UK/188819677670">Thomas Cook</a> example.

The media billings per annum = <strong>£30,000,000</strong>

Agency costs for the pitch (industry estimate) = <strong>£150,000</strong>
Signing on fee (reported) = <strong>£1,000,000</strong>
Agency income in first year (Based on a generous 5% commission equivalent) = £1,500,000

Therefore in the first year the agency would have an income of <strong>£350,000.</strong>
Plus they have to deliver a 10% reduction in the consolidated media rate.

Plus <a href="http://www.facebook.com/pages/Thomas-Cook-UK/188819677670#!/pages/Thomas-Cook-UK/188819677670?v=app_227698805184">Thomas Cook</a> want a reduction in agency fee, so what if the agency fee is the equivalent of 3%? Then the agency is subsidising the client £250,000 in the first year.

This is without calculating the actual agency cost to provide the services.

Who will end up paying?

In the short term <a href="http://www.facebook.com/pages/Thomas-Cook-UK/188819677670#!/pages/Thomas-Cook-UK/188819677670?v=app_2373072738">Thomas Cook</a>. Because while they may get money up front they will end up getting what they are paying for - low price and therefore low quality media strategy and planning.

In the longer term: if this catches on, the agencies as procurement people globally will have turned the pitch into a profit centre.

My solution is posted on the <a href="http://www.brandrepublic.com/go/news/article/1014883/thomas-cook-pitch-fee-row/">Brand Republic Report:</a>
]]>
      <![CDATA[Shame, shame, shame <a href="http://www.thomascook.com/">Thomas Cook. </a>

<a href="http://en.wikipedia.org/wiki/The_Golden_Rule">Do unto others as you would have them do unto you. </a>

I encourage everyone in the industry who finds this behaviour abhorrent to call their local Thomas Cook branch and ask them to pay you £1000 for the opportunity to provide a quote for your next trip. And keep doing it. If they ask why then tell them you are just doing to them what their company is doing to the industry. 

<a href="http://uk.linkedin.com/in/hamishpringle">Hamish</a>, ask your members to contact Thomas Cook and say they are tendering their millions of pounds in travel. And then ask £10,000 to tender for it. 

Treat them as they are treating the industry. Bullies only learn a lesson if there is consequences. Lets show them the consequences of their greedy actions.]]>
   </content>
</entry>
<entry>
   <title>The 3 great lies procurement tell</title>
   <link rel="alternate" type="text/html" href="http://www.trinityp3.com/blog/2010/07/the-3-great-lies-procurement-t.php" />
   <id>tag:www.trinityp3.com,2010:/blog//23.2583</id>
   
   <published>2010-07-09T21:06:34Z</published>
   <updated>2010-07-12T03:01:49Z</updated>
   
   <summary>In the last week I have had several procurement people (I can&apos;t say they are professionals as referred to by their Institute) try and negotiate fees using the 3 most common lies in their industry. Don&apos;t get me wrong, I...</summary>
   <author>
      <name>Darren Woolley</name>
      
   </author>
         <category term="interesting observations" scheme="http://www.sixapart.com/ns/types#category" />
   
   <category term="850" label="budgets" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="847" label="lies" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="849" label="multinationals" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="199" label="negotiation" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="846" label="practices" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="848" label="pricing" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="89" label="procurement" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="128" label="relationships" scheme="http://www.sixapart.com/ns/types#tag" />
   
   <content type="html" xml:lang="en" xml:base="http://www.trinityp3.com/blog/">
      <![CDATA[In the last week I have had several procurement people <a href="http://www.cips.org/">(I can't say they are professionals as referred to by their Institute)</a> try and negotiate fees using the 3 most common lies in their industry.

Don't get me wrong, I am a champion of <a href="http://www.trinityp3.com/strategic_alignment.php#4">negotiation</a>. I just don't rely on little white lies.

All three are from large multinational companies and all three spun their lie like they believed it. Which is sad and not very professional.

<img alt="Procurment_Practices.jpg" src="http://www.trinityp3.com/blog/Procurment_Practices.jpg" width="424" height="283" />

Here they are:

<strong>1. I / we don't have the money / budget.</strong>

I'm sorry, does the CEO and CFO of your company know you have no money? Do the shareholders know that this big multinational company who reported a pre-tax profit of many billions of dollars now has no money? It is ridiculous to say this, so don't.

Sure, you may not have allocated a budget for this unseen cost, but that happens all the time in business and what you do is reallocate from another budget to cover it.

We are not talking about millions of dollars here. In most cases you are lying for a difference of thousands of dollars. Is your integrity really so cheap?

What you are really saying is that you don't want to pay for fixing this problem and therefore you would rather a much smaller company, who's total turnover is a thousand times less than your annual profit, subsidise your work for you. Right? 

<strong>2. Think of it as investing in the relationship.</strong>

And what type of relationship is that? One where every time we do business you try to screw a lower fee? Or threaten to go to a competitor? I wonder if they manage their personal relationships the same way?

<em>"Yes, would love to go out to dinner, but only if you pay and only if a better offer does not present itself between now and then".</em>

I had to bite my tongue when they said this on Thursday because I knew that in the past 3 years we had "invested" many times in this relationship and as yet have got no return as they are still dating our competitors. So I am sorry Procurement, I am not into a non-performaning investment or a polygamous relationship.

<strong>3. I have a lower quote I need you to match if you want the work</strong>.

This is the classic negotiating position. Not a good one, but a classic one. 

The problem is that it is hard to justify when there has been no formal tender process and you are not comparing like-for-like and you are clearly just fishing around for leverage to get a lower price.

I am happy to give a little here and there, but when this becomes the Procurement person's standard line it really just shows they have no concept of value. 

On the basis of <a href="http://idioms.thefreedictionary.com/If+you+pay+peanuts,+you+get+monkeys">"pay peanuts, you get monkeys"</a>, it means these procurement people are happy to work with monkeys. Well so be it.

I am, and more than happy to, leave them working in the zoo they have created.
]]>
      
   </content>
</entry>
<entry>
   <title>CASE STUDY: Marketing structural &amp; process mapping &amp; optimisation in Government</title>
   <link rel="alternate" type="text/html" href="http://www.trinityp3.com/blog/2010/07/case-study-marketing-structura.php" />
   <id>tag:www.trinityp3.com,2010:/blog//23.2582</id>
   
   <published>2010-07-08T07:36:45Z</published>
   <updated>2010-07-08T07:44:39Z</updated>
   
   <summary>Service Category: A high profile Local Government Operational Challenge: A fragmented and weak Marketing Services function was unable to: a) efficiently service the needs of various business units or b) effectively synergise Council wide strategic branding and marketing imperatives. Strategic...</summary>
   <author>
      <name>Darren Woolley</name>
      
   </author>
         <category term="case studies" scheme="http://www.sixapart.com/ns/types#category" />
   
   <category term="845" label="function" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="842" label="local government" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="175" label="marketing" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="213" label="marketing services" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="844" label="marketing structure" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="840" label="optimisation" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="424" label="process" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="113" label="process improvement" scheme="http://www.sixapart.com/ns/types#tag" />
   
   <content type="html" xml:lang="en" xml:base="http://www.trinityp3.com/blog/">
      <![CDATA[<strong>Service Category:</strong> A high profile Local Government

<strong>Operational Challenge:</strong> A fragmented and weak Marketing Services function was unable to:
a) efficiently service the needs of various business units or 
b) effectively synergise Council wide strategic branding and marketing imperatives.
  
<strong>Strategic Solution:</strong> TrinityP3 Consultants gained a thorough understanding of the <a href="http://www.trinityp3.com/process_improvement.php#2">service/expectation gaps at a functional, divisional and organisational level</a>, combining both user and provider perspectives.  

Trinity P3 made a number of <a href="http://www.trinityp3.com/process_improvement.php#3">recommendations that cut across strategic, structural, people, process and systems related issues to provide an improved service delivery model.</a>
  
<strong>Integrated Approach:</strong> The process involved extensive desk research, several cross functional group discussions, a series of one to one interviews and high level meetings with senior managers overlaid with rigorous analysis and lateral thinking to  produce a range of creative solutions. 
  
<strong>Timeline:</strong> The engagement lasted 8 weeks from project inception to delivery.

<strong>Outcomes:</strong> The interim report presented to a cross section of stakeholders received wide support before being presented to senior management.  Buy-in for the recommendations paved the way for far-reaching changes in the charter of the Marketing Services function and the character of its service portfolio.  

<strong>Cost</strong>: <a href="http://www.trinityp3.com/contact.php">Contact TrinityP3 for details</a>
]]>
      
   </content>
</entry>
<entry>
   <title>The top 10 advertising jingles of the century?</title>
   <link rel="alternate" type="text/html" href="http://www.trinityp3.com/blog/2010/07/the-top-10-advertising-jingles.php" />
   <id>tag:www.trinityp3.com,2010:/blog//23.2581</id>
   
   <published>2010-07-01T23:26:16Z</published>
   <updated>2010-07-02T14:07:08Z</updated>
   
   <summary>Love them or hate them, great jingles have a way of getting stuck in your head. Forbes.com has just published the top 10 greatest jingles as voted by CMOs and Ad Executives in the US. 1. I&apos;d like to buy...</summary>
   <author>
      <name>Darren Woolley</name>
      
   </author>
         <category term="television" scheme="http://www.sixapart.com/ns/types#category" />
   
   <category term="835" label="AdAge" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="176" label="advertising" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="833" label="advertising jingles" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="822" label="copyright" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="837" label="Forbes" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="825" label="licensing" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="824" label="master rights" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="561" label="music" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="839" label="publishing rights" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="140" label="television" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="831" label="Top 10" scheme="http://www.sixapart.com/ns/types#tag" />
   
   <content type="html" xml:lang="en" xml:base="http://www.trinityp3.com/blog/">
      <![CDATA[Love them or hate them, great <a href="http://en.wikipedia.org/wiki/Jingle">jingles</a> have <a href="http://money.howstuffworks.com/commercial-jingle.htm">a way of getting stuck in your head.</a>

<a href="http://www.forbes.com/">Forbes.com</a> has just <a href="http://www.forbes.com/2010/06/30/advertising-jingles-coca-cola-cmo-network-jingles.html?boxes=financechannelforbes">published the top 10 greatest  jingles</a> as voted by <a href="http://www.forbes.com/cmo-network/">CMOs and Ad Executives</a> in the US.

<object width="480" height="385"><param name="movie" value="http://www.youtube.com/v/dfU17niXOG8&amp;hl=ja_JP&amp;fs=1"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/dfU17niXOG8&amp;hl=ja_JP&amp;fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"></embed></object>

1. <a href="http://www.forbes.com/2010/06/30/advertising-jingles-coca-cola-cmo-network-jingles_slide.html">I'd like to buy the world a Coke</a> (<a href="http://www.thecoca-colacompany.com/">Coca Cola</a>)
2. <a href="http://www.forbes.com/2010/06/30/advertising-jingles-coca-cola-cmo-network-jingles_slide_3.html">Oh I wish I was an Oscar Meyer Wiener</a> (<a href="http://brands.kraftfoods.com/oscarmayer">Oscar Mayer</a>)
3. <a href="http://www.forbes.com/2010/06/30/advertising-jingles-coca-cola-cmo-network-jingles_slide_4.html">Two all beef patties...</a> (<a href="http://www.mcdonalds.com/us/en/home.html">McDonald's</a>)
4. <a href="http://www.forbes.com/2010/06/30/advertising-jingles-coca-cola-cmo-network-jingles_slide_5.html">I don't wanna grow up. I'm a Toys R Us kid</a> (<a href="http://www.toysrus.com/shop/index.jsp?categoryId=2255956">Toys R Us</a>)
5. <a href="http://www.forbes.com/2010/06/30/advertising-jingles-coca-cola-cmo-network-jingles_slide_6.html">You deserve a break today</a> (<a href="http://www.mcdonalds.com/us/en/home.html">McDonald's</a>)
6. <a href="http://www.forbes.com/2010/06/30/advertising-jingles-coca-cola-cmo-network-jingles_slide_7.html">Wouldn't you like to be a pepper too?</a> (<a href="http://www.drpepper.com/">Dr. Pepper</a>)
7. <a href="http://www.forbes.com/2010/06/30/advertising-jingles-coca-cola-cmo-network-jingles_slide_8.html">Campbell's Soup. M'm, M'm good</a> (<a href="http://www.campbellsoup.com/">Campbell's</a>) 
8. <a href="http://www.forbes.com/2010/06/30/advertising-jingles-coca-cola-cmo-network-jingles_slide_9.html">Plop, Plop, Fizz, Fizz, Oh what a relief it is</a> (<a href="http://www.alka-seltzer.com/home/index.html">Alka Seltzer</a>)
9. <a href="http://www.forbes.com/2010/06/30/advertising-jingles-coca-cola-cmo-network-jingles_slide_10.html">Stuck on me</a> (<a href="http://www.bandaid.com/">Band Aid</a>)
10. <a href="http://www.forbes.com/2010/06/30/advertising-jingles-coca-cola-cmo-network-jingles_slide_11.html">Double your pleasure, double your fun</a> (<a href="http://www.wrigley.com/global/index.aspx">Wrigley's Doublemint Gum</a>)

]]>
      <![CDATA[<a href="http://adage.com/">AdAge</a> published a list of <a href="http://adage.com/century/jingles.html">the top 10 greatest jingles of the century</a>. All US of course.

1. You deserve a break today (<a href="http://www.mcdonalds.com/us/en/home.html">McDonald's</a>)
2. Be all that you can be (<a href="http://www.army.mil/">U.S. Army</a>)
3. Pepsi Cola Hits the Spot (<a href="http://www.pepsico.com/">Pepsi-Cola</a>)
4. M'm, M'm good (<a href="http://www.campbellsoup.com/">Campbell's</a>)
5. See the USA in your Chevrolet (<a href="http://www.gm.com/">GM</a>)
6. I wish I was an Oscar Meyer Wiener (<a href="http://brands.kraftfoods.com/oscarmayer">Oscar Mayer</a>)
7. Double your pleasure, double your fun (<a href="http://www.wrigley.com/global/index.aspx">Wrigley's Doublemint Gum</a>)
8. Winston tastes good like a cigarette should (<a href="http://www.rjrt.com/">Winston</a>)
9. It's the Real Thing (<a href="http://www.thecoca-colacompany.com/">Coca-Cola</a>)
10. A little dab'll do ya (<a href="http://brylcreem.com/">Brylcreem</a>)

So what are the top 10 Australian advertising jingles?

In the <a href="http://www.afa.org.au/index.aspx">AFA</a> <a href="http://www.communicationscouncil.org.au/public/content/ViewCategory.aspx?id=682">50 Best Ads of All Time</a>, 12 of the ads were jingles.

2. How D'ya Feel? - Tooheys
4. "C'mon Aussie, C'mon. C'mon" - World Series Cricket
5. Louie The Fly - Mortien
8. I Still Call Australia Home - Qantas
13. D’d’d'decore – Decore Shampoo
16. You Oughta Be Congratulated - Meadow Lea
19. Happy Little Vegemites - Kraft Vegemite
21. Life. Be In It – Federal Government
33. Up There Cazaly – Australian Football League
41. Hard Yakka – Yakka
47. I Love Aeroplane Jelly - Aeroplane Jelly
49. I Can Feel A XXXX Coming On – Fourex

Or the Top 10 Singaporean jingles, or Japanese jingles, or French jingles?

But here is the million dollar question: These jingles that have become historically synonymous with these brands, <a href="http://www.trinityp3.com/blog/2006/08/walking-the-tv-music-publishin.php">who owns the intellectual property rights to them?</a>

Who owns the <a href="http://www.apra-amcos.com.au/MusicCreators/MusicPublishers.aspx">publishing rights?</a> 

And who owns the <a href="http://www.apra-amcos.com.au/About/Copyright.aspx">master recording?</a>

If you have a jingle as part of your advertising, do you know who owns the rights to it?

Could be worthwhile finding out.]]>
   </content>
</entry>
<entry>
   <title>Replacing &quot;Above the line&quot; (ATL) &amp; &quot;Below the line&quot; (BTL) with CONTENT &amp; CHANNEL</title>
   <link rel="alternate" type="text/html" href="http://www.trinityp3.com/blog/2010/07/replacing-above-the-line-atl-b.php" />
   <id>tag:www.trinityp3.com,2010:/blog//23.2580</id>
   
   <published>2010-07-01T13:35:42Z</published>
   <updated>2010-07-02T13:57:38Z</updated>
   
   <summary>For far too long marketers and advertisers have held on to the outdated terms of ATL and BTL with increasingly more activity being Through the Line (TTL). Internet advertising and more importantly Social Media has blurred the traditional descriptions for...</summary>
   <author>
      <name>Darren Woolley</name>
      
   </author>
         <category term="process" scheme="http://www.sixapart.com/ns/types#category" />
   
   <category term="804" label="Above the line" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="398" label="Advertising" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="798" label="ATL" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="808" label="Below the line" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="802" label="BTL" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="812" label="Channel" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="810" label="Content" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="400" label="Digital" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="820" label="Direct" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="814" label="Entertainment" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="816" label="Industry" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="782" label="Internet" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="518" label="Marketing" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="399" label="Media" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="818" label="Online" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="806" label="Through the line" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="800" label="TTL" scheme="http://www.sixapart.com/ns/types#tag" />
   
   <content type="html" xml:lang="en" xml:base="http://www.trinityp3.com/blog/">
      <![CDATA[For far too long marketers and advertisers have held on to the outdated terms of <a href="http://en.wikipedia.org/wiki/Above_the_line_(advertising)">ATL</a> and <a href="http://en.wikipedia.org/wiki/Below_the_line_(advertising)">BTL</a> with increasingly more activity being <a href="http://en.wikipedia.org/wiki/Through_the_Line#Through_the_line">Through the Line (TTL)</a>.

<a href="http://en.wikipedia.org/wiki/Internet_advertising">Internet advertising</a> and more importantly <a href="http://en.wikipedia.org/wiki/Social_media">Social Media</a> has blurred the traditional descriptions for ever.

The origins of the old fashioned terms ATL and BTL came from the early days of media commissions, where the agency would prepare quotes and invoices based on creative and production that was media commission generating being subsidised and "above the line" which non-media commissioned related activity was "below the line".

But the <a href="http://mumbrella.com.au/media-commission-system-absolutely-ridiculous-9004">media commission</a> in most markets is being phased out.

And the idea that ATL is mass paid media and BTL is one-to-one direct communications is also not a clear differentiator any more as technology means that you can now communicate with a mass market one-to-one. 

<img alt="ATL_OR_BTL.jpg" src="http://www.trinityp3.com/blog/ATL_OR_BTL.jpg" width="600" height="567" />

So if it is no longer relevant to use ATL or BTL, then what should we use?]]>
      <![CDATA[The logical differentiation come from the media and entertainment industry and that is <a href="http://dictionary.reference.com/browse/channel">CHANNEL</a> and <a href="http://dictionary.reference.com/browse/CONTENT">CONTENT</a>.

Media companies create content and distribute through their media channels.

Movie studios commission or acquire content from producers and distribute through their distribution channels.

Record companies sign artists who create content to distribute through retail and online sales.

Publishers commission or sign authors to write content for publication and distribution through retail and online sales.

And the advertising and marketing communications can be categorised the same way.

Marketers commission various agencies to develop, select or buy channels to reach their audiences and create the content to and engage their audiences. 

Media agencies are now talking about how channels can now be <a href="http://www.carat.com.au/node/543">"Bought, owned or earned"</a>.

<a href="http://en.wikipedia.org/wiki/Advertising_agency">Traditional creative agencies</a> create content - advertising for use over mass media channels.

<a href="http://en.wikipedia.org/wiki/Digital_agency">Digital agencies</a> build content - web site, application and banner ads for accessed and interacted with over a mass channel - the internet.

<a href="http://en.wikipedia.org/wiki/Direct_marketing">Direct marketing</a> create content - personalised and customised eDM and Direct Mail - for distribution through mass channels - email, telephony, fax, internet and mail.

<a href="http://en.wikipedia.org/wiki/Database_marketing">Database marketing</a> is defining channels and strategy for content.

<a href="http://en.wikipedia.org/wiki/Media_Relations">Public Relations</a> use media relations strategies to develop content for particular media editorial channels.

Can you suggest a more useful distinction?
]]>
   </content>
</entry>
<entry>
   <title>Do you remunerate your ad agency or compensate them?</title>
   <link rel="alternate" type="text/html" href="http://www.trinityp3.com/blog/2010/06/do-you-remunerate-you-ad-agenc.php" />
   <id>tag:www.trinityp3.com,2010:/blog//23.2579</id>
   
   <published>2010-06-30T10:23:17Z</published>
   <updated>2010-07-22T00:40:45Z</updated>
   
   <summary>At the ANA Marketing Financial Management conference in April this year, I was struck by the fact that the Americans&apos; were referring to Agency Compensation and not Agency Remuneration. I was sitting with Debbie Morrison from ISBA and she said...</summary>
   <author>
      <name>Darren Woolley</name>
      
   </author>
         <category term="remuneration / compensation" scheme="http://www.sixapart.com/ns/types#category" />
   
   <category term="398" label="Advertising" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="132" label="agency" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="84" label="ANA" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="745" label="compensation" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="565" label="fees" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="791" label="ISBA" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="177" label="media" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="796" label="payment" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="174" label="remuneration" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="793" label="UK" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="795" label="USA" scheme="http://www.sixapart.com/ns/types#tag" />
   
   <content type="html" xml:lang="en" xml:base="http://www.trinityp3.com/blog/">
      <![CDATA[At the <a href="http://www.ana.net/about/content/mission">ANA</a> <a href="http://www.ana.net/events/conferencemtg/AFM-APR10">Marketing Financial Management conference in April this year</a>, I was struck by the fact that the Americans' were referring to <a href="http://www.ana.net/publications/bookdetail/EB9010">Agency Compensation</a> and not <a href="http://www.trinityp3.com/strategic_alignment.php#3">Agency Remuneration</a>.

I was sitting with <a href="http://www.isba.org.uk/isba/about/team">Debbie Morrison</a> from <a href="http://www.isba.org.uk/isba/home/">ISBA</a> and she said that in the UK they refer to agency payment as <a href="http://www.isba.org.uk/isba/training-and-events/training-workshops/545">Agency Remuneration</a> too.

<img alt="Compensation_or_remuneration.jpg" src="http://www.trinityp3.com/blog/Compensation_or_remuneration.jpg" width="425" height="282" />

Okay - so <strong>what is the difference between compensation and remuneration?</strong>

Lets look at the definitions from Dictionary.com

<a href="http://dictionary.reference.com/browse/compensation"><strong>Compensation</strong></a>:

–<em>noun</em>
1. the act or state of compensating.
2. the state of being compensated.
3. something given or received as an equivalent for services, debt, loss, injury, suffering, lack, etc.; indemnity: The insurance company paid him $2000 as compensation for the loss of his car.
4. Biology . the improvement of any defect by the excessive development or action of another structure or organ of the same structure.
5. Psychology . a mechanism by which an individual attempts to make up for some real or imagined deficiency of personality or behavior by developing or stressing another aspect of the personality or by substituting a different form of behavior.

<a href="http://dictionary.reference.com/browse/remuneration"><strong>Remuneration</strong></a>:

–<em>noun</em>
1. the act of remunerating.
2. something that remunerates; reward; pay: He received little remuneration for his services.

It makes me think that perhaps the word you use to describe how you pay your agencies could depend on if you believe you have done them harm and need to <strong><em>compensate</em></strong> them for handling your business or if they have done a good job and you want to <strong><em>reward</em></strong> them for the work.

Then again, perhaps the Americans simply have trouble putting the <strong>M</strong> before the <strong>N</strong> in 

<strong>R-E-M-U-N-E-R-A-T-I-O-N </strong>

and not renumeration - which is not a word.]]>
      
   </content>
</entry>
<entry>
   <title>What is value based remuneration for advertising and media agencies?</title>
   <link rel="alternate" type="text/html" href="http://www.trinityp3.com/blog/2010/06/what-is-value-based-remunerati.php" />
   <id>tag:www.trinityp3.com,2010:/blog//23.2578</id>
   
   <published>2010-06-24T22:20:16Z</published>
   <updated>2010-06-30T10:03:25Z</updated>
   
   <summary>Retainers are still the most common form of remuneration for advertising agencies in the major markets. These retainers are based on resources multiplied by direct salary costs by overhead factor and then multiplied by profit margin. But how do you...</summary>
   <author>
      <name>Darren Woolley</name>
      
   </author>
         <category term="remuneration / compensation" scheme="http://www.sixapart.com/ns/types#category" />
   
   <category term="176" label="advertising" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="789" label="Coca-Cola Company" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="745" label="compensation" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="174" label="remuneration" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="184" label="value" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="770" label="value-based" scheme="http://www.sixapart.com/ns/types#tag" />
   
   <content type="html" xml:lang="en" xml:base="http://www.trinityp3.com/blog/">
      <![CDATA[Retainers are still the most common form of remuneration for advertising agencies in the major markets. These retainers are based on resources multiplied by direct salary costs by overhead factor and then multiplied by profit margin.

But how do you value your remuneration / compensation model?

<a href="http://dictionary.reference.com/browse/value">Value</a> has many definitions.

But basically value can be defined as V = Q / $ which is VALUE is QUALITY and/or QUANTITY divided by COST.

So lets look at 3 different types of agency remuneration and how value is calculated:

<strong>1. Retainer / payment based on resource alone</strong>

<img alt="Retained_Agency_Resoruce.jpg" src="http://www.trinityp3.com/blog/Retained_Agency_Resoruce.jpg" width="347" height="346" />

This is the most common and is effectively the outsourced agency resource.

<strong>2. Retainer / payment based on outputs or deliverables</strong>

<img alt="Production_Line.jpg" src="http://www.trinityp3.com/blog/Production_Line.jpg" width="400" height="300" />

This model, <a href="http://ana.blogs.com/maestros/2009/04/the-coca-cola-companys-value-based-compensation-model.html">reportedly used</a> by <a href="http://www.thecoca-colacompany.com/">Coca-Cola</a>, values advertising like a manufacturing process.

<strong>3. Retainer / payments based on outcomes or results</strong>

 <img alt="Payment_By_Results.jpg" src="http://www.trinityp3.com/blog/Payment_By_Results.jpg" width="425" height="282" />

This model, increasingly applied in some shape of form to varying success, links value created to cost of advertising to provide accountability.

In each each case we will look at the model, the value calculation and the strengths and weaknesses.]]>
      <![CDATA[<strong>1. Retainer / payment based on resource alone</strong>

<strong>The model:</strong> This is outsourcing at its worst. Basically the marketer pays a fee or retainer for a quantum of resources (people). There is no direct correlation (relationship) between the number of people and the amount paid in the retainer or fees.

<strong>Value:</strong> The only calculation of value is the number and experience of the people and their cost.

<strong>Strengths:</strong> Often this works in the favour of one or other parties (agency or marketer) as it can be difficult to quantify. With the increasing involvement of procurement it is usually financially  in the favour of the marketer at the expense of quality people working on their business (False economy)

<strong>Weaknesses:</strong> If you try and review the value of the model there is usually huge disagreement largely based on subjective opinion in regards to the huge amount of variables:
a. The number of staff - FTEs - who is in and who is out and how much time is required and why?
b. The number of hours that constitutes full time equivalence - <a href="http://www.trinityp3.com/calculators.php">FTEs - are public holidays, sick leave and annual leave counted?</a>
c. The <a href="http://www.trinityp3.com/blog/2010/06/agency-title-promotion-and-the.php">experience and quality of the staff</a> - a tough one.
d. Their salary rate - industry? or actual? - both with traps for unwary players
e. The overhead multiple - inclusions and exclusions and level?
f. Indirect salary costs - <a href="http://www.trinityp3.com/blog/2010/04/should-the-agency-ceo-managing.php">Is the agency CEO / Managing Director a head count or an overhead?</a>
g. The profit margin - how much is too much and how little is too much?

No wonder agency remuneration / compensation becomes a confusing discussion of contradiction under this model. (Note to self - if the discussion does become confusing and difficult it is probably because you have this model) 

Also, as you are effectively outsourcing, cut your budget / spend and the agency will probably ask you who they should cut from the team.

<strong>2. Retainer / payment based on outputs or deliverables</strong>

<strong>The model:</strong> As Coke realised, paying for the inputs (people) and their costs (salaries, overhead and profit) does not equal a sound basis for value. Therefore if you think of advertising (including media) as a manufacturing process (say making bottles of carbonated flavoured and sweetened water?) then instead of paying for inputs, you pay for outputs.

<strong>Value:</strong> In this case you can calculate the value as the outputs divided by the cost. Therefore if a TV campaign cost you $500K in agency fees and now if costs you $400K in agency fees you have got a 20% improvement in value. Of that website cost $750,000 for 20 html pages then this is $37,500 per page. Now if another website costs you $2 million for 120 pages that is $16,666.66 which is almost double the value.

<strong>Strengths:</strong> it is certainly easier to define and measure the outputs of an advertising agency (including media, pr, digital, direct marketing etc) and then measure the "value" of these outputs. It also allows you to simply adjust the fee for the agency based on the increase and decrease in your requirements. Sort of like speeding up or slowing down the advertising production line to suit demand.

<strong>Weaknesses:</strong> Of course measuring the quality of these outputs is still subjective. And without a measure of quality (read effectiveness) is it really a measure of value? 

<strong>3. Retainer / payments based on outcomes or results</strong>

<strong>The model:</strong> This is often seen as <a href="http://www.trinityp3.com/blog/2007/11/performance-based-agency-remun.php">performance based remuneration or payment by results. PBR.</a> The trouble is that it is often ineffective and fails because it is applied in a half-hearted manner. Usually the carrot (payment to the agency) is too small to drive behaviour and alignment to results or the stick (loss of revenue) is too high and is a deterrent.

The other problem is that in trying to make the process accountable, the measures become too complex and often too expensive to measure and calculate and therefore again fails in driving and rewarding the behaviour and alignment to results.

<strong>Value:</strong> Assuming the advertising is delivered at cost using the first two models above, this means that the profit is paid to the agency is the marketer achieves or betters the results required.

If the marketers objective was growth (sales, revenue or profit) then it becomes part of a return on investment calculation representing real financial value.

<strong>Strengths:</strong> If the carrot is big enough it can provide a link between the agency cost and the financial results achieved, however tenuous. The upside being if the marketer makes profit the agency makes profit.

<strong>Weaknesses:</strong> There are so many ways people get this wrong.

The agencies will say they do not control all variables that impact on profit so why should their profit be at risk.

Procurement will say that while their profit is at risk, the up side for them can be no more than they made when it was not at risk.

Marketers will say that it is difficult (if not near impossible) to get a direct correlation between the agency activities and the sales results. (Excluding direct response an online transactions)

But in summary, if you want to achieve a value based remuneration model, agency remuneration needs to move from a c<strong>ost base / input model</strong> to a <strong>value-based output model</strong>. And the steps along the way are somewhere in between.

In the words of<a href="http://www.jimrohn.com/?refid=economou&amp;a_bid=73820d0a"> Jim Rohn</a> <a href="http://thinkexist.com/quotation/you_don-t_get_paid_for_the_hour-you_get_paid_for/327304.html">“You don't get paid for the hour. You get paid for the value you bring to the hour.”</a>]]>
   </content>
</entry>
<entry>
   <title>Agency title promotion and the impact on retainers and fees</title>
   <link rel="alternate" type="text/html" href="http://www.trinityp3.com/blog/2010/06/agency-title-promotion-and-the.php" />
   <id>tag:www.trinityp3.com,2010:/blog//23.2577</id>
   
   <published>2010-06-24T11:22:52Z</published>
   <updated>2010-06-29T11:15:20Z</updated>
   
   <summary>You are a recent graduate and land your first job in an advertising agency. You start at the agency on $32,000 and the title of Account Manager. Within 12 months you get promoted to Senior Account Manager and get a...</summary>
   <author>
      <name>Darren Woolley</name>
      
   </author>
         <category term="remuneration / compensation" scheme="http://www.sixapart.com/ns/types#category" />
   
   <category term="752" label="Account Director" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="756" label="Account Executive" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="754" label="Account Manager" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="758" label="Agency Salaries" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="768" label="Annual Salaries" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="759" label="Compensation" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="761" label="Job Titles" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="763" label="Margin" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="766" label="Promotion" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="533" label="Remuneration" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="764" label="Salary Benchmarks" scheme="http://www.sixapart.com/ns/types#tag" />
   
   <content type="html" xml:lang="en" xml:base="http://www.trinityp3.com/blog/">
      <![CDATA[You are a recent graduate and land your first job in an advertising agency. You start at the agency on $32,000 and the title of Account Manager. Within 12 months you get promoted to Senior Account Manager and get a $8,000 extra per annum, ten months later you get another promotion to Account Director and an $8,000 rise, and then 9 months later you get another promotion to Senior Account Director with another $12,000 a year pay rise. Total salary now is $60,000 per annum.

You are either the most talented account management practitioner in the industry or the luckiest. You can say to your friends you are a Senior Account Director, which is pretty cool.

<img alt="Young_Account_Director.jpg" src="http://www.trinityp3.com/blog/Young_Account_Director.jpg" width="421" height="285" />

Does this sound fantastic?

Believe me, we see this happening. It is called the "Title Promotion".]]>
      <![CDATA[The fact is that with agencies often using i<a href="http://www.communicationscouncil.org.au/public/content/ViewCategory.aspx?id=780">ndustry salary rates</a>, a few agencies have found a way to increase their revenue without increasing their costs. 

This is not wide spread - yet.

You see, our Senior Account Director above is getting paid $60,000 per annum, but the agency is billing them out at $120,000 per annum. <a href="http://www.trinityp3.com/calculators.php">Then add a 2.2 overhead and profit multiple and the Senior Account Director is a $264,000 revenue source</a> at a cost of $60,000 per annum in direct salary costs.

<em>(Even wondered why Account Executives are almost non-existient these days?)</em>

Certainly a good reason for using actual salary costs and checking the resumes of the team on your retainer to make sure you are getting what you paid for.

Why are a few agencies doing this?

Because with the <a href="http://www.trinityp3.com/blog/2010/05/best-time-to-negotiate-agency.php">increasing downward pressure on remuneration</a>, agencies are having to be more "creative" with their compensation models.

The old say "<a href="http://www.goodreads.com/quotes/show/146357">You get what you pay for"</a> is true. 

Just make sure <a href="http://www.trinityp3.com/strategic_alignment.php#3">you are getting what you paid for.</a>]]>
   </content>
</entry>
<entry>
   <title>Procurement Fraud A Concern: Deloitte</title>
   <link rel="alternate" type="text/html" href="http://www.trinityp3.com/blog/2010/06/procurement-fraud-a-concern-de.php" />
   <id>tag:www.trinityp3.com,2010:/blog//23.2576</id>
   
   <published>2010-06-17T11:31:20Z</published>
   <updated>2010-06-23T08:58:26Z</updated>
   
   <summary>Marketing Magazine report that Deloitte has released the results of a webcast poll, which found that &quot;out of 1,675 professionals across a variety of sectors surveyed, more than half (52%) of respondents believed solicitation and negotiation posed the greatest risk...</summary>
   <author>
      <name>Darren Woolley</name>
      
   </author>
         <category term="agency selection" scheme="http://www.sixapart.com/ns/types#category" />
         <category term="interesting observations" scheme="http://www.sixapart.com/ns/types#category" />
         <category term="remuneration / compensation" scheme="http://www.sixapart.com/ns/types#category" />
   
   <category term="746" label="consultant" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="749" label="corruption" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="748" label="Deloitte" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="750" label="fraud" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="450" label="marketing procurement" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="206" label="pitch" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="662" label="search" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="216" label="selection" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="119" label="TrinityP3" scheme="http://www.sixapart.com/ns/types#tag" />
   
   <content type="html" xml:lang="en" xml:base="http://www.trinityp3.com/blog/">
      <![CDATA[<a href="http://www.marketing-interactive.com/">Marketing Magazine</a> report that <a href="http://www.deloitte.com/view/en_GX/global/index.htm">Deloitte</a> has released the <a href="https://www.deloitte.com/view/en_US/us/Services/Financial-Advisory-Services/214df87e82819210VgnVCM200000bb42f00aRCRD.htm">results of a webcast poll</a>, which found that "out of 1,675 professionals across a variety of sectors surveyed, more than half (52%) of respondents believed solicitation and negotiation posed the greatest risk for fraud. 24% separately thought contract performance presented the greatest risk".

<img alt="Payoff_%26_Kickbacks.jpg" src="http://www.trinityp3.com/blog/Payoff_%26_Kickbacks.jpg" width="283" height="424" />

While the report in Marketing states this is a concern across all sectors, marketing is often the focus of this type of allegation and concern. 

"While the risk of supply chain fraud cannot be eliminated entirely, companies can take steps designed to reduce the risks, including company-level anti-fraud controls and risk-specific anti-fraud controls," said <a href="http://www.linkedin.com/pub/william-pollard/5/249/90b">Bill Pollard</a>, partner of <a href="http://www.deloitte.com/view/en_US/us/Services/Financial-Advisory-Services/index.htm">Deloitte Financial Advisory Services LLP.</a>

While personal experience over the past <a href="http://www.trinityp3.com/peopleaustralia/darren_woolley.php">10 years as a pitch consultant</a> leads me to believe open corruption is relatively rare in the <a href="http://www.trinityp3.com/strategic_alignment.php#2">selection of marketing suppliers</a>, I have heard of several examples of obvious cronyism and back room deals that have compromised the integrity of all concerned.

Only by continuing to <a href="http://www.trinityp3.com/TP3_WhitePaper_MArch09.pdf">apply rigorous due diligence and robust governance process to all aspects of marketing procurement</a> will these concerns be minimised.
]]>
      
   </content>
</entry>
<entry>
   <title>Has advertising come of age?</title>
   <link rel="alternate" type="text/html" href="http://www.trinityp3.com/blog/2010/06/has-advertising-come-of-age.php" />
   <id>tag:www.trinityp3.com,2010:/blog//23.2575</id>
   
   <published>2010-06-16T05:16:43Z</published>
   <updated>2010-06-16T05:33:39Z</updated>
   
   <summary>For the 21st Anniversary of the Brisbane Advertising Association, I was asked to address the question &quot;has advertising come of age?&quot; Advertising is the world&apos;s second oldest profession, with the modern form of advertising agencies coming into existence more than...</summary>
   <author>
      <name>Darren Woolley</name>
      
   </author>
         <category term="interesting observations" scheme="http://www.sixapart.com/ns/types#category" />
   
   <category term="744" label="21st anniversary" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="535" label="accountability" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="290" label="agency remuneration" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="740" label="Brisbane Advertising Association" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="742" label="Coming of age" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="745" label="compensation" scheme="http://www.sixapart.com/ns/types#tag" />
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   <category term="99" label="marketing effectiveness" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="231" label="pitches" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="293" label="tenders" scheme="http://www.sixapart.com/ns/types#tag" />
   
   <content type="html" xml:lang="en" xml:base="http://www.trinityp3.com/blog/">
      <![CDATA[For the <a href="http://www.baa.org.au/index.php?id=81">21st Anniversary</a> of the <a href="http://www.baa.org.au/">Brisbane Advertising Association</a>, I was asked to address the question <a href="http://www.slideshare.net/darrenwoolley/has-advertising-come-of-age">"has advertising come of age?"</a> 

Advertising is the world's second oldest profession, with <a href="http://en.wikipedia.org/wiki/Advertising_agency">the modern form of advertising agencies coming into existence more than 150 years ago.</a> 

Yet in the past 15 years advertising has undergone major changes due to the digital revolution. 

So is advertising like an adolescent or a mature adult or perhaps even older and wiser?

Three <a href="http://medical-dictionary.thefreedictionary.com/cognitive+development">cognitive signs of maturity</a> are: 

1. Taking responsibility for actions, 
2. Becoming financially independent, 
3. Developing a clear identity. 

How advertising is addressing some of its largest issues is discussed to determine how the industry shapes up against these attributes of maturity.

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<object width="640" height="385"><param name="movie" value="http://www.youtube.com/v/Lv5twOUG8xA&hl=en_US&fs=1&"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/Lv5twOUG8xA&hl=en_US&fs=1&" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="640" height="385"></embed></object>

In the fact of increasing demands for accountability, increasing downward pressure on costs and the ever increasing complexity of the market and the way the consumer engages with brands, the biggest issues facing the advertising industry today are:

1. Developing methodologies for proving the business value
2. Implementing a sustainable model for remuneration
3. Clearly differentiate roles and responsibilities to facilitate collaboration

Ultimately it will be the industries ability to address these issues that will prove if it has truly come of age.]]>
      
   </content>
</entry>
<entry>
   <title>CASE STUDY: Re-drafting the actor&apos;s / talent agreement / contract</title>
   <link rel="alternate" type="text/html" href="http://www.trinityp3.com/blog/2010/06/case-study-redrafting-the-acto.php" />
   <id>tag:www.trinityp3.com,2010:/blog//23.2574</id>
   
   <published>2010-06-05T13:59:06Z</published>
   <updated>2010-06-25T23:38:29Z</updated>
   
   <summary>Issue: Government Department responsible for developing community communications campaigns to improve health and decrease illness is increasingly exporting campaigns into overseas markets. Challenging Problem: The advertising agency, casting agents and talent agents are using the actor’s union contracts, the terms...</summary>
   <author>
      <name>Darren Woolley</name>
      
   </author>
         <category term="case studies" scheme="http://www.sixapart.com/ns/types#category" />
   
   <category term="772" label="Actors" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="398" label="Advertising" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="787" label="Assessment" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="786" label="Benchmarks" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="780" label="Cinema" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="784" label="Community Service" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="759" label="Compensation" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="776" label="Government" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="782" label="Internet" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="785" label="Production Costs" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="533" label="Remuneration" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="774" label="talent agreement" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="778" label="Talent Costs" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="141" label="Television" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="261" label="TV" scheme="http://www.sixapart.com/ns/types#tag" />
   
   <content type="html" xml:lang="en" xml:base="http://www.trinityp3.com/blog/">
      <![CDATA[<strong>Issue:</strong> Government Department responsible for developing community communications campaigns to improve health and decrease illness is increasingly exporting campaigns into overseas markets. 

<strong>Challenging Problem:</strong> The <a href="http://www.smh.com.au/national/cut-no-action-actors-to-walk-out-20090806-eb52.html">advertising agency, casting agents and talent agents are using the actor’s union contracts, the terms of which are making the cost of talent fees prohibitive in these overseas markets.</a>

<strong>Creative Solution:</strong> <a href="http://www.theaustralian.com.au/business/media/advertisers-push-to-cut-actors-ad-rates-in-industrial-showdown/story-e6frg996-1225807502960">Following on from our work with the AANA,</a> TP3 were able to rewrite the existing actor’s union talent fee, within the agreed legal terms to provide <a href="http://www.trinityp3.com/blog/2006/09/a-talent-for-printing-money.php">a more cost effective way of calculating the talent fee for overseas markets and then enshrine the use of this in the agency contract.</a>

<strong>Process:</strong> TP3 brief from the department was that the countries wanting to license their communication campaigns were populous but relatively poor, therefore using an existing campaign should have been a cost effective solution. TP3 linked the talent fee for rights in foreign markets as an index to Australia’s GDP per head of population, based on the <a href="http://en.wikipedia.org/wiki/List_of_countries_by_GDP_(PPP)_per_capita">IMF data.</a>

<strong>Timeline:</strong> The process involved consulting with external and internal lawyers and took 3 months from initial brief to approved draft of the new talent contract.

<strong>Result and feedback</strong>: As expected, there is some initial industry resistance to the new agreements, but future campaigns will be covered under the new terms, making it more cost effective for countries with low GDP and high populations to leverage these life saving campaigns. The problem is that the actor’s contracts from the existing campaigns cannot be changed retrospectively.

<strong>Cost:</strong> <a href="http://www.trinityp3.com/contact.php">Contact TrinityP3 for details</a>]]>
      
   </content>
</entry>

</feed>
